Lisa Robertson

Draft of a Voice-over for Split Screen Video Loop

“A young woman looks openly out of the picture.”
“A young woman looks openly out of the picture.”
“Her experience of scale is always paradoxical.”
“As for the unconscious, she is breathing in its Latin.”
“Philosophy comes from her having difficulty.”
“Her experience of scale is always paradoxical.”
“When girls were flowers this wasn’t true.”
“Her pronoun is sedition unrecognized as such.”
“The women is itself not a content.”
“Her voice turns towards weakness and shame and it pours down her face.”
“When it comes to flowers, she is parody.”
“How does she represent herself as thinking?”
“So what if she is thick and stupid behind her life. It is not private.”
“It can’t be regulated.”
“No, it is a survival, a learning-to-live.”
“Knowledge is truth until I stop.”
“To super-add girls speaking to humans is not a pleasure.”
“No, it is a survival, a learning-to-live.”
“Probably whatever the feminine might mean has to do with the intellectual relationship to change.”
“None of the forms feel big enough.”
“She imprecisely uses freedom.”
“Part of her wanted nothing.”
“She will be the pronoun of her analysis.”
“Philosophy comes from her having difficulty.”
“When women are exiled it seems normal.”
“Probably whatever the feminine might mean has to do with the intellectual relationship to change.”
“She thinks she undoes her femininity to give herself pleasure.”
“She brings this vocabulary into her mouth to sex it.”
“The information of her fear is her most serious and fragile part.”
“She doesn’t have much time to understand her mortality.”
“Her voice turns towards weakness and shame and it pours down her face.”
“She exploited a splitting at the level of process.”
“Her pronoun is sedition unrecognized as such.”
“She feels free to set out in any discourse.”
“She doesn’t have much time to understand her mortality.”
“She hasn’t been human.”
“She wants to tell about it but not necessarily in language.”
“She imprecisely uses freedom.”
“She says space is doubt.”
“She recycled the discarded part.”
“She exploited a splitting at the level of process.”
“She says space is doubt.”
“Part of her wanted nothing.”
“She smoothes her hair.”
“She recycled the discarded part.”
“She spirals wildly away.”
“She writes against herself.”
“She taught herself to make distinctions.”
“She writes against those who know how to read.”
“She thinks she undoes her femininity to give herself pleasure.”
“As for the unconscious, she is breathing in its Latin.”
“She wants to tell about it but not necessarily in language.”
“None of the forms feel big enough.”
“She will be the pronoun of her analysis.”
“She smoothes her hair.”
“She writes against herself.”
“She spirals wildly away.”
“She writes against those who know how to read.”
“She feels free to set out in any discourse.”
“So what if she is thick and stupid behind her life. It is not private.”
“She brings this vocabulary into her mouth to sex it.”
“The information of her fear is her most serious and fragile part.”
“Thus she arrives at the idea of the mistake.”
“The masterpiece of her mouth feels natural.”
“The masterpiece of her mouth feels natural.”
“The women is itself not a content.”
“What the political will be to her cannot yet be quantified.”
“This is a concept.”
“She hasn’t been human.”
“Thus she arrives at the idea of the mistake.”
“This is a concept.”
“To super-add girls speaking to humans is not a pleasure.”
“It can’t be regulated.”
“What the political will be to her cannot yet be quantified.”
“Knowledge is truth until it stops.”
“When women are exiled it seems normal.”